From the 23rd Floor (Abandoned 4-track demos 1996 - 1998 + Live in Baltimore 2008)

by Kevin Hufnagel

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captainfez Subtle, yet grand. Favorite track: What Today Takes Away.

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Full Digital Discography

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Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Invisible Traces, Halloween EP 2018, Messages to the Past, Halloween EP 2017, The Protected Shards, Backwards Through the Maze, Kleines Biest, The Murderer's Tracks/The Weather Was Wrong, and 6 more. , and , .
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1.	Lost Choirs 01:55	buy track
2.	Imaginary Lines 04:27	buy track
3.	What Today Takes Away 04:02	buy track
4.	Turning to Silence 04:41	buy track
5.	Continual 03:26	buy track
6.	River Dream 04:48	buy track
7.	T.W.O.Y.S.B. 03:58	buy track
8.	Asunder 02:29	buy track
9.	Waking Fragments 05:25	buy track
10.	Recited (live) 01:30	buy track
11.	The Bridge (live) 03:18	buy track
12.	Elina (live) 02:08	buy track
13.	Twilight Clocks (live) 02:38	buy track
14.	Breathing Spell (live) 02:14	buy track
15.	Days Half-Remembered (live) 02:32	buy track
16.	Glass Prison (live) 04:07	buy track

about

Camille Escobedo - voice on 'Asunder'
Bruce Lamont - soprano saxophone on 'Breathing Spell'

Tracks 1-7, 9 - taken from cassette mixdowns of previously unreleased 4-track demo recordings, done at home throughout the years of 1996-1998.
Track 8 - recorded sometime in 1998 at Mars Studio, Philadelphia, PA. Engineer: Pete Rydberg, taken from a cassette mixdown
Track 10 - recorded live at Laurie Wagman Hall, Philadelphia, PA on November 8, 1997
Tracks 11-16 - recorded live at Orion Studios, Baltimore, MD on August 23, 2008, by Mark Chapman

"What Today Takes Away" dedicated to the memory of Michael Hedges

Nightfloat Recordings 004

credits

released March 4, 2013

Digital rescuing and Mastering by Colin Marston at Menegroth: The Thousand Caves, Woodhaven, NY

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Kevin Hufnagel New York, New York

Kevin Hufnagel: Guitarist/composer/
instructor: Dysrhythmia / Gorguts / Vaura / Sabbath Assembly / Invisible Traces / solo works

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Depending on who you are, this will either sound like a mess or an intriguing clash of sounds. Marston's mix sells these sounds like no other... oh and 4 of the tracks are the same length. I don't think that adds anything to the album, but it makes me happy! To this day, I catch myself humming "Idols" for no reason. progdolphin
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